By Paolo Teofilatto
Plane layout four (2001) sixty three - seventy three
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Sharon seemed attracted to dominance. One biography of Roman states it like this: “The men she was attracted to were the dominant type, like her father. Unlike her father, they also tended to be brutal. ” This much is true: they lived together, and became engaged. The rumors that he beat her, with Sharon requiring hospitalization, hit the tabloids. But was it true? Vague shadows in a vague timeline. There is indication that the ForquetTate romance was the victim of a pretty much made-up negative publicity campaign.
Meanwhile, that summer of 1963, Sharon met a young actor from Paris named Philippe Forquet, born on September 27, 1940. He, as she, was stunningly attractive. They met while Sharon was having lunch with her agent Hal Gefsky. A person from Twentieth Century Fox approached the table with the tall, handsome Forquet. Sharon and Forquet talked avidly, and agreed to meet later for dinner. Now known as Philippe Forquet Viscount de Dorne, back in 1962, when he was a student in Paris, he was discovered by American director Robert Parrish, who gave him a role in the film In the French Style (released in 1963).
As for A Promise at Dawn, which gossiper Hedda Hopper wrote Beymer was so excited about, it met with the Fox axe. There was turmoil at Fox studios, and three pictures scheduled for production were cancelled. Among those given the zilch notice was A Promise at Dawn, starring Ingrid Bergman, based on Romain Gary’s book of memoirs, and Take Her, She’s Mine, with James Stewart. While Sharon was jumping up and down to get to Hollywood, in the spring of 1962, in an aged Mercedes convertible, Roman Polanski drove from Poland on the way to Paris, with his worldly possessions aboard, including a print of his first full-length motion picture, Knife in the Water.