By Ajay Heble
An resourceful and passionate synthesis of shape and serve as, touchdown at the unsuitable word is going past mainstream jazz feedback, outlining a brand new poetics of jazz that emerges no longer from the ivory tower yet from the golf equipment, performances, and lives of cutting-edge jazz musicians.
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Additional info for Landing on the Wrong Note: Jazz, Dissonance, and Critical Practice
Sample text
Values emanating from the system. When they are said to correspond to concepts, it is understood that the concepts are purely differential and defined not by their positive content but negatively by their relations with the other terms of the system. Their most precise characteristic is in being what the others are not. ) in a given musical system. Though such a discovery was obviously made long before the dawn of bop, it was Parker’s desire to go beyond the limitations of a purely diatonic framework which helped call attention to the fact that relationships between tones, rather than an inherent quality in the tone itself, could give identity to a piece of music.
Moreover, jazz is, as one of the leading historians of our generation and, to boot, a self-professed member of “the underground of . . academic jazz-buffs” (xxxvii), Eric Hobsbawm, has put it, “one of the most significant phenomena of twentieth-century world culture” (xxiv). One particularly instructive way to account for that significance, I have been suggesting, is to theorize jazz in relation to the contexts that have helped shape and define some of the key arguments and debates in contemporary literary and cultural theory.
The belly rub? You wanted to do the belly rub? Shit, you don’t 43 even know how. That ol’ dipty-dip shit you do, rolling your ass like an elephant. That’s not my kind of belly rub. Belly rub is not Queens. Belly rub is dark places, with big hats and overcoats held up with one arm. Belly rub hates you. Old bald-headed four-eyed ofays popping their fingers . . and don’t know yet what they’re doing. ” And if you don’t know that, it’s you that’s doing the kissing. 44 landing on the wrong note Charlie Parker?