By David Chanoff, Ariel Sharon
Israel's most recent top minister as of February 6, 2001, Ariel Sharon is a dynamic and debatable chief. A hero in Israel's wars, probably the main bold and winning commander in Israel's impressive army heritage, Sharon has regularly been a warrior, even if the enemies have been opposed Arab countries, terrorists, Time journal, or rival politicians. the general public guy is widely known -- competitive in conflict, hard-line in politics -- however the deepest guy has consistently been obscured via Sharon's stunning occupation and robust character. during this compelling and dramatic auto-biography, the true Sharon seems to be for the 1st time: a posh guy, a loving father, a determine of braveness and compassion. he's a warrior who instructions the honor and love of his troops, a visionary, and an uncompromising, ruthless pragmatist.
Sharon tells his tale with frankness, energy, intelligence, and a super reward for element. consistently debatable, he's as outspoken as his associates -- and enemies -- might anticipate him to be.
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Heinlein to Lurton Blassingame I am quite used to being considered too spectacular. My own brother, a colonel of engineers, thought my prewar stories about the atomic bomb and atomic weapons to be sheer moonshine; he has since flown over Hiroshima and changed his mind. April 20, 1947: Robert A. Heinlein to Lurton Blassingame I am starting a short, Luna City series, slanted for Post, tomorrow. Like the hired man said, "We've had a lot of trouble around here," but you may expect regular copy for some time hence.
Well, I seem to be part of the "rest of their list," the part that makes up their losses-for I certainly did not appear to be a writer they were willing to take even a little chance on, when it came to scratch. I was simply dumped. Furthermore, the ms. couldn't have been bad enough to justify dumping me in view of the fact that three other editors bought it…and then it went on to win the Hugo [Award] for [1959]. ) It seems to me that, if the pious crap they hand out about "taking a chance" on authors actually meant anything, Mr.
But it took the deaths of Romeo and Juliet to show the families Montague and Capulet what damned fools they were being. Poddy's death (it seems to me) is similarly indispensable to this story. The true tragedy in this story lies in the character of the mother, the highly successful career woman who wouldn't take time to raise her own kids-and thereby let her son grow up an infantile monster, no real part of the human race and indifferent to the wellbeing of others…until the death of his sister, under circumstances which lay on him a guilt he can never shake off, gives some prospect that he is now going to grow up.