By Harold Bloom
One of many exponents of latest journalism, Wolfe's bestknown works comprise the electrical KoolAid Acid try, the perfect Stuff, and The Bonfire of the Vanities. This name, Tom Wolfe, a part of Chelsea condominium Publishers’ smooth serious perspectives sequence, examines the key works of Tom Wolfe via full-length serious essays through professional literary critics. additionally, this name includes a brief biography on Tom Wolfe, a chronology of the author’s lifestyles, and an introductory essay written by means of Harold Bloom, Sterling Professor of the arts, Yale college.
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Additional resources for Tom Wolfe (Modern Critical Views)
Sample text
It was being served in paper cups, and since Kool-Aid is a staple in the homes of . . friends of mine, I thought it quite a natural thing to serve . . had a cup, and another, wandered and talked for a while, had another . . suddenly I began to laugh . . and laugh . . and the laugh was more primitive, more guttearing, than anything I had ever known. It came from somewhere so deep inside that I never felt it before . . and it continued . . and it was uncontrollable . . and wonderful. Something snapped me back and I realized that there was nothing funny .
Or to describe Beauty Witch—the girl who went mad on the bus: She keeps coming up to somebody who isn’t saying a goddamn thing and looking into his eyes with the all-embracing look of total acid understanding, our brains are one brain, so let’s visit, you and I, and she says: “Ooooooooh, you really think that, I know what you mean, but do you-u-u-u-u-u-u-uueeeeeeeeeeeeeeeeeeeeeee”—finishing off in a sailing tremolo laugh as if she has just read your brain and it is the weirdest of the weird shit ever, your brain eeeeeeeeeeeeeeeeeeeeeeee eeeeeeeeeee— The total impact of all these devices in conveying a moment can be seen in “The Fugitive” chapter where Wolfe describes Kesey’s growing paranoia.
Pisces,” she says. ” “You seem too . . ” Wolfe adds: “But I know she means stolid. ” Wolfe records his own reactions to the situations—a technique developed to its full potentialities by Mailer in The Armies of the Night. This voice sometimes becomes more obviously reflexive: “Oh christ, Tom, the thing was fantastic, a freaking mind-blower. . ” But in most cases, the “I” is used to report what Wolfe has seen or heard: “Kesey stares at a spiral notebook he has and then starts talking in a voice so soft I can hardly hear him at first.