By George Monteiro
Stephen Crane (1871-1900) was once a debatable determine in American literature and journalism. In a literary occupation that lasted an insignificant decade he produced brief tales, novellas, novels and poetry for which he was once either lauded and reviled. With The crimson Badge of braveness he entered the yankee canon. regardless of Crane's loss of adventure of warfare on the time of the novel's composition, it's a vintage of realist struggle fiction. This e-book provides a consultant number of the experiences of Stephen Crane's books, starting with the ebook of his first novel, Maggie: a lady of the Streets (1893), throughout the posthumously released final novel, The O'Ruddy (1903). a number of the studies could be new to Crane students. the amount deals readers an perception into how Crane's acceptance used to be shaped and the way it replaced in the course of his lifetime, finishing with the shifts in emphasis upon his early dying.
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Extra info for Stephen Crane: The Contemporary Reviews (American Critical Archives)
Example text
The march of the mountains began. As they marched, they sang, “Aye, we come! ” That is all, but it tells its own story, and is the equivalent of many columns. At other times he not merely intimates his own problem, but states it, still tersely (p. 26): That is all; but it is fine, it tells its own story. If it be asked whether it is also poetry, one can only remember Thoreau’s dictum, that no matter how we define poetry, the true poet will presently set the whole definition aside. If it be further asked whether such a book gives promise, the reply must be that experience points the other way.
This is, after all, the most serious if not the most obvious fault of the book. There is an old saying about not being able to see the woods because of its leaves. Mr. Crane gives us so many details, and dwells upon them so elaborately, that he obscures the broad motive and the general action of the story. If more simply and directly treated, it would not be without effect. The story is one of a young man who had dreamed of heroic deeds; who went to the war, a raw recruit in a raw regiment; who in the midst of a great battle got scared and ran away; and who returned to the ranks next day and played the hero.
If Mr. Crane will eschew such influences and tendencies, try to forget the jejune foolery of the “Black Riders,” and fix his mind upon the wholesome themes and methods which distinguish true classics from the hothouse fruit of a single season, he may perhaps produce some profitable works. Meanwhile we cannot hail him as a Master. will make the real soldier tired to follow him. He has small conception of the humor and comradeship and spirit of a regiment, or a great army, and leads the reader to believe a regiment of American soldiers is made up of a thousand dull automatons with a great amount of coarseness, if not brutality.