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Extra info for Miguel De Cervantes Don Quixote; New Edition (Bloom's Modern Critical Interpretations)

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Schippers, J. G. ” Dutch Quarterly Review of Anglo-American Letters 11 (1981): 34–54. Spacks, Patricia Meyer. Imagining a Self: Autobiography and Novel in Eighteenth-Century England. Cambridge: Harvard UP, 1976. Stanley, Liz. The Auto/biographical I: The Theory and Practice of Feminist Auto/biography. Manchester: Manchester UP, 1992. Stecker, Robert. ” Philosophy and Literature 11 (1987): 258–71. Tavris, Carol. The Mismeasure of Woman. New York: Simon & Schuster, 1992. Toolan, Michael J. Narrative: A Critical Linguistic Introduction.

Cervantes here is “fictionalized,” but only in the sense that we all fictionalize ourselves when telling a fictional story, especially if it is about ourselves. 7. For the inevitably fictional, self-creating nature of the autobiographical project, and the fine lines separating autobiography, autobiographical fiction, and fictional autobiography, see Bruner, Couser, Eakin, Freeman, Herman, Spacks, and Stanley. 8. Vindel and, citing him, Eisenberg (96 n. 81) identify the friend as Cervantes’ publisher, Francisco de Robles.

Pigna, A. Piccolomini, and Mintumo (Riley, Don Quixote, 66), and discusses the importance of imitation theory for Cervantes. Cervantes’ Theory of the Novel, 61–67. In his thorough study of the prologues to Don Quixote, Socrates treats the prologue as a function of literary criticism. Mario Socrates, Prologhi al Don Chisciotte (Padua: Marsilio, 1974). 18. Alban K. Forcione, Cervantes and the Mystery of Lawlessness: A Study of El casamiento engañoso y El coloquio de los perros (Princeton: Princeton University Press; 1984), 193.

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