By G.C. Chauley
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Additional resources for Early Buddhist Art in India
C. The marked stylistic difference cannot be entirely due to the genius of the particular sculptor responsible for the work 1 : The figures carved in high relief below this frieze have all disappeared. On the left side is a fragment of sculpture in alto-relievo, part of the head of a single figure about twice life-size. Though the features have been destroyed, the details of the head-dress show the artist' s attempt to furnish minute details. , by its side, recording its execution. Pitalkhorii The Buddhist caves of Pitalkhora are excavaed into the rock of the Satamala range, 50 miles to the West-South West of Ajanta and 23 miles North-West of Ellora.
On the whole, the carvings on the Bodhgaya rail are in the Bharhut style, but more advanced in technique as well as in visual and consequently in plastic effect. As a result Bodhgaya is a step forward from Bharhut. Reliefs are less crowded, all non-essentials being left out. They are abbreviated, stories are more summarily told. Descriptive labels also disappear so that it seems that the narratives were by now well-known. A comparison of the same subject-that of purchase of Jetavana at Bharhut and Bodhgaya will bring out this point clearly (PI.
N. Deshpande-Ancient India Vol. 15, p. 81. D. to 3rd Century coincided with some great religious and culllJl;al fe en� in the country. Though ant religion, the passage of Buddhism was A@ the edoIffiif' time had dulleifThe enthusiasm of the Buddhists for the monasticism, implied in the earlier ideal of passionless search for truth. It no longer remained a code of ethics, but became a popular religious system. The Hindu psychological truth that the human impulse craves for something concrete through which to adore for salvation rather than to explore the void metaphysical subtleties prevailed at last.