By Sara Maitland
The significantly acclaimed memoir of a look for silence that accomplished a shock luck a lot noisier than its subject...
After a loud upbringing as considered one of six little ones, and maturity as a vocal feminist and mom, Sara Maitland started to crave silence. during the last 5 years, she has spent sessions of silence within the Sinai barren region, the Australian bush, and the Isle of Skye. She interweaves those reviews with the historical past of silence via fairy-tale and delusion, Western and japanese spiritual traditions, the Enlightenment and psychoanalysis, as much as the ambivalence in the direction of silence in modern society. Maitland has outfitted a hermitage on an remoted Scottish moor, and the publication culminates powerfully together with her reports of silence during this new domestic.
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Extra resources for A Book of Silence: A Journey in Search of the Pleasures and Powers of Silence
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Heinlein to Lurton Blassingame I am quite used to being considered too spectacular. My own brother, a colonel of engineers, thought my prewar stories about the atomic bomb and atomic weapons to be sheer moonshine; he has since flown over Hiroshima and changed his mind. April 20, 1947: Robert A. Heinlein to Lurton Blassingame I am starting a short, Luna City series, slanted for Post, tomorrow. Like the hired man said, "We've had a lot of trouble around here," but you may expect regular copy for some time hence.
Well, I seem to be part of the "rest of their list," the part that makes up their losses-for I certainly did not appear to be a writer they were willing to take even a little chance on, when it came to scratch. I was simply dumped. Furthermore, the ms. couldn't have been bad enough to justify dumping me in view of the fact that three other editors bought it…and then it went on to win the Hugo [Award] for [1959]. ) It seems to me that, if the pious crap they hand out about "taking a chance" on authors actually meant anything, Mr.
But it took the deaths of Romeo and Juliet to show the families Montague and Capulet what damned fools they were being. Poddy's death (it seems to me) is similarly indispensable to this story. The true tragedy in this story lies in the character of the mother, the highly successful career woman who wouldn't take time to raise her own kids-and thereby let her son grow up an infantile monster, no real part of the human race and indifferent to the wellbeing of others…until the death of his sister, under circumstances which lay on him a guilt he can never shake off, gives some prospect that he is now going to grow up.